If using a Static IP address, you'll want to make sure that you use the gateway IP address and network settings from your router. ![]() This could either be due to a hardware-level issue (as described above) or a problem with the router/DHCP server. If DHCP settings report an IP address of 0.0.0.0, that generally means that it could not obtain an IP address from the DHCP server. If you have an Ethernet cable connected and devices at either end of the cable powered on and you don't see any LED activity for that connection at either end, that is a good indication of some kind of problem at the Ethernet layer such as: bad port on the Ethernet switch, bad Ethernet port on the ATEM Mini, or bad network cable. But in shooting for Guns N’ Roses’ Use Your Illusion I and II, they may have ended up with Chinese Democracy: an over-long, repetitive record whose derivative-and only occasionally inspired-second volume makes a compelling case for less is more.Most Ethernet ports have link status and activity LED indicators, these are often solid indicate if an Ethernet link has been established and start flashing to indicate that there is network activity on the link (colors vary depending on the manufacturer).Įthernet switches have such LEDs and I believe there are LED indicators on the Ethernet port of the ATEM Mini as well. The first installment arrived in April of this year, and all 20 tracks across the two releases have corresponding video and digital visualizers, part of Profound Mysteries’ “expanded creative universe.” You can understand why Röyksopp wanted to make such a grandstanding move after declaring themselves done with album releases back in 2014. Profound Mysteries is designed as a particularly grandiose project. ![]() “Oh, Lover” has the opulent Nordic melancholy of Röyksopp’s best pop collaborations, combining dilatory synth, chugging disco groove, and Susanne Sundfør’s wind-swept vocals the result is like weeping away your heartbreak in a chic Norwegian aparthotel. The crunchy trip-hop drums and melodic curlicues of opener “Denimclad Baboons” sound like a nod to “Eple,” their sparkling second single, whose apple-fresh sound garnered 1,001 TV appearances and ad placements in the early 2000s. The best moments on Profound Mysteries II come when Röyksopp run truer to themselves than to their influences. Then their collaborative mini album with Robyn, 2014’s Do It Again, revealed the duo as inventive and empathetic producers of electronic pop, flexing their trademark synth melodies just enough to allow the Swedish pop star’s vocals to shine. Their debut album, Melody A.M., transcended well-worn, chilled-out electronica with fantastically bendy melodic textures and unusual vocal guests, including Norwegian softie Erlend Øye. This is a shame, because at their best, Röyksopp were never about empty tropes. “Some Resolve” is a vast sentimental soufflé it flops when it comes out of the oven, the electro-prog layering doing little to disguise a boring chord sequence. “Tell Him,” which features one of two appearances by Norwegian vocalist Susanne Sundfør, is a string-led plod, containing lyrics that write emotional checks the music can’t cash. “Remembering the Departed” bets the farm on the kind of forlorn, piano-scale banalities that wan boys used to play at parties in the days before Tinder. The heroically mopey melody of “Sorry,” featuring the ANOHNI-lite croon of Jamie Irrepressible, suggests Depeche Mode, but with all the deviant sex removed by deed poll.ĭisappointing as this is, these three songs resemble 1970s Stevie Wonder in their invention and style compared to the trio of chill-out clichés that close Profound Mysteries II. ![]() It’s also unlikely that they’d prefer the awkwardly rehashed low-cal techno of “Control” over Adamski and Seal’s house classic “Killer,” whose stately keyboard tones it commandeers. However open Berge and Torbjørn Brundtland might be about their inspirations, it is hard to imagine a circumstance in which a sentient listener would choose the clunky rhyme schemes and silver-polished rave pop of “Unity” over Meat Beat Manifesto’s evergreen hardcore belter “Radio Babylon,” which it references in the drums and clipped vocal sample.
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